Essays on Writing, Science Fiction, and Fantasy by Ursula K.
Le Guin
With a new introduction by Ken Liu
“We like to think we live in daylight, but half the world is
always dark; and fantasy, like poetry, speaks to the language of the night”: so
begins Ursula Le Guin’s famed essay collection, THE LANGUAGE OF THE NIGHT:
Essays on Writing, Science Fiction, and Fantasy, which Scribner will proudly
reissue on May 14, 2024.
As Ken Liu says in his introduction, “there is one good
reason to read an introduction to a monumental classic – a book of criticism so
influential that it has become a work of art itself –which is to converse with
a fellow reader who also admires that classic.” Another good reason, I would
argue, is to reframe that classic in a modern context. Liu does just that,
pointing out that the questions Le Guin poses in these essays (Why does art
matter? What happens to a society without art?) are as relevant today as when
Le Guin first published this collection in 1977.
As one of the most prominent speculative fiction writers
today (the NYT profiled him in 2019), Liu is uniquely positioned to introduce
the work of one of the most brilliant and prolific fantasy and sci-fi writers
of all time. But you’d be remiss to think that LANGUAGE OF THE NIGHT is just
for dedicated Le Guin fans or fantasy/SF readers. While centered on these
genres, Le Guin’s essays extend far beyond the bounds of genre and become
rigorous, deeply engaging cultural commentaries, asking the reader to contemplate
the necessity of art, the responsibility of the artist and the audience to each
other, the societal convention of gender, why a robust imagination is integral
to both individuals and societies, how the politics and culture of a country
affects its national taste, why Americans are “afraid” of fantasy, and so much
more. There is truly something for
everyone in this timeless classic.
URSULA K. LE GUIN (1929–2018) was the celebrated author of
twenty-three novels, twelve volumes of short stories, eleven volumes of poetry,
thirteen children’s books, five essay collections, and four works of
translation. Her acclaimed books received the Hugo, Nebula, Endeavor, Locus,
Otherwise, Theodore Sturgeon, PEN/Malamud, and National Book Awards; a Newbery
Honor; and the Pushcart and Janet Heidinger Kafka Prizes, among others. In
2014, she was awarded the National Book Foundation Medal for Distinguished
Contribution to American Letters, and in 2016 joined the short list of authors
to be published in their lifetimes by the Library of America. Le Guin was also
the recipient of the Association for Library Service to Children’s May Hill
Arbuthnot Honor Lecture Award and the Margaret A. Edwards Award. She received
lifetime achievement awards from the World Fantasy Convention, Los Angeles
Times, Pacific Northwest Booksellers Association, and Willamette Writers, as
well as the Science Fiction and Fantasy Writers of America Grand Master Award
and the Library of Congress Living Legend Award. Her website is
UrsulaKLeGuin.com.
KEN LIU is an award-winning American author of speculative
fiction. His collection, The Paper Menagerie and Other Stories, has been
published in more than a dozen languages. Liu’s other works include The Grace
of Kings, The Wall of Storms, The Veiled Throne, and a second collection The
Hidden Girl and Other Stories. He has been involved in multiple media
adaptations of his work, including the short story “Good Hunting,” adapted as
an episode in Netflix’s animated series Love, Death + Robots; and AMC’s Pantheon,
adapted from an interconnected series of short stories. “The Hidden Girl,” “The
Message,” and “The Oracle” have also been optioned for development. Liu
previously worked as a software engineer, corporate lawyer, and litigation
consultant. He frequently speaks at conferences and universities on topics
including futurism, machine-augmented creativity, the history of technology,
and the value of storytelling. Liu lives with his family near Boston,
Massachusetts.
On-sale May 14, 2024
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