Short stories explore the shards of human personality.
Former scientist-turned-artist examines how we seek to understand the world around us.
BROOKEVILLE, Maryland – As a musician, artist, writer, and
former scientist, Nancy Joie Wilkie’s first collection of short stories is
designed to stimulate the intellect and engage the imagination. “Seven Sides of
Self” (Nov. 5, 2019, She Writes Press) explores seven aspects of an individual
— the storyteller, the skeptic, the survivor, the saint (or the sinner), the scholar,
the seeker, and the savior.
Through the lives of the central characters, Nancy examines
themes of battling strong emotions, the lengths we might go to for
self-preservation and self-sacrifice, the inability to accept things as
different, and taking responsibility for what we create. Each story seeks to contribute something to
our ability to better understand ourselves, the world around us, and the
conflicts we all face. Original and thought-provoking, these stories will
delight any fan of science-fiction and fantasy.
NANCY JOIE WILKIE worked for over 30 years in both the
biotechnology industry and as a part of the federal government’s biodefense
effort. She served as a project manager, providing oversight for the
development of many new products. Now retired, she composes original music,
plays a variety of instruments, and records many of her compositions. “Seven
Sides of Self” is her first fiction publication. She is currently working on
more short stories, a novella, and a science fiction novel. Nancy resides in
Brookeville, Maryland. More about Nancy and her work can be found at
www.mindsights.net
An Interview
with Nancy Joie Wilkie
The stories in “Seven Sides of Self” are so thoughtful
and engaging, and at times very personal. What was your creative process
Actually, the stories really are quite personal. If you know me well, the collection can be
thought of a scavenger hunt. There are little pieces of me in each of the seven
stories — hence the title. As for my creative process, there is no one magic
formula. As an example, “An Intricate Balance” came to me while out on a long
walk. I got home and started writing — several hours later, I had the first
draft of the story. “The Ledge” is based on my longstanding fear of high
places. Pieces of “Journey To Pradix” started out as part of another story.
“Microwave Man” came about during a long drive with not much to think about.
You just never know when the Muses will show up!
As a former scientist, musician, artist, and now
published author, your resume is really impressive. What drew you first to
science and then to music and art, and do you see connections between these?
My maternal grandfather was an organic chemist. As a youngster,
I would watch him work in his laboratory and always thought, “That’s what I
want to do when I grow up,” and so I did!
I’m lucky to have known what I wanted to do; not everyone knows their
calling. As for the music and the art, I had two musically gifted grandparents
and a bunch of mostly older cousins who were musicians, artists, and writers.
They were my inspiration. As for a connection, all of these fields are about
creating something — taking what one sees or hears in one’s mind or feels in one’s
heart and then bringing the thoughts and feelings out into the real world —
hence my moniker: mindsights.
You’ve mentioned what you call “spiritual dynamics,”
referring to the connection between souls and physical bodies. Why are you
interested in souls, and can a reader find that interest in the book?
Being a distant relative of William Thomson — better
known as Lord Kelvin, a major contributor to the Third Law of Thermodynamics —
and having been a scientist myself, I have always been interested in the Three
Laws of Thermodynamics. After I lost my father to cancer 13 years ago, I
started to rethink how I viewed the soul and the afterlife — trying to make
some sense of my father’s passing — and then started thinking about our “before
life.” It was then that I thought
developing the Three Laws of Spiritual Dynamics would be an interesting analog
and might be used in some of my stories. “An Intricate Balance” is really my
first venture into that arena. I do plan to more fully explore these ideas in
future stories.
Can you talk about the relationship between the stories
in this collection?
One set of stories revolves around the life of an author
and are, I suppose, loosely connected (“There Once Was A Man …,” “Microwave
Man,” and “Old Mims). A second set of stories is set in an incredibly far
future and introduces the reader to Mothersouls and the Oversoul (“The Ledge”
and “An Intricate Balance”). “Microwave Man” also introduces the reader to the
fictional planet of Aurillia and sets the stage for the events told in “Of The
Green And Of The Gold.” Lastly, “Journey To Pradix” and “Old Mims” both portray
rather exceptional views of our inevitable transition to an afterlife. The
stories were never designed to be connected — it just sort of worked out that
way. I do plan to introduce additional stories that also will be loosely
connected to some of these same topics.
You’ve said that the book is a collection of “original
stories for original thinkers.” How do you define an original thinker?
I actually borrowed that line from a much earlier project
with which I was involved. I was in a band that played pretty much all-original
music — music that dealt with some socially progressive themes. We would play
various benefit shows and eventually released a collection of our songs. When I
built the website in support of the band and its music, I came up with the
phrase “Original music for original minds.” Back then, I defined “an original
mind” as someone who is thinking outside the box, someone with different ideas
about things the average person hasn’t really considered. I suppose I still
think that’s an adequate description. I’d like to think I have an original
mind!
This book may have been received free of charge from a publisher or a publicist. That will NEVER have a bearing on my recommendations.